In a land where a grieving god sits on a mound of loam, creating relentlessly, The Chronicles of Albosa unravels a world filled with a cacophony of betrayals. Albert, a timid, one-eyed painter, finds himself at the heart of royal intrigue, painting the portrait of a king on the brink of collapse. However, beyond the king lies a treacherous stage, where thespians duel with swords and combat with dialogues and cadences. Farther off, whispers of a seething revolt rumble. As heads roll beneath chandeliers, alliances fracture, and the boundaries between enemy and ally blur, a most awaited revolt stirs the murky political waters of Moirsa. When the kings and their subjects alike must square up to the vestiges of their past, the fate of the six cities of Albosa will rest in the hands of those brave—or foolish—enough to seize it.
Dive in my fantasy world and explore a book that does not play by rules.
The Chronicles of Albosa unravels a world filled with a series of betrayals, where hubristic mortals can be made gods, and faith is a weapon to wield.King Armando III rules with unsettling calm while rebellion gathers at the Dalie Front. The Vizier moves his League of Foulmen like shadows across the city. Journalists ignite revolutions with ink. And in the Moonrise Theatre, thespians rehearse for a performance that may decide who lives and who dies.
But at the center of it all stands Juvier — a man torn between devotion and annihilation.
He is called son.
He is called weapon.
He is called monster.
Within him coils a wrath so catastrophic it could burn Albosa to ash. The King alone can command him:
“Seize your wrath, son.”
Yet how long can a man cage a storm before it devours him?
As war approaches, secrets fester, loyalties fracture, and the lines between performance and reality dissolve. In Albosa, every soul is both puppet… and puppeteer.
And when the strings snap, kingdoms fall.
