When Daisy Evans, a.k.a. Amabelia (Bella) Flores gets the result of a DNA test she has taken in an attempt to discover her unknown father, things don’t work out well, and she risks losing her new florist business. Bella asks Janika Jones to investigate, and the result is something neither of them expected.
Janika is also investigating aliens who are apparently landing at night in the field behind Nigel Frampton’s house. Unsurprisingly, the police show no interest at all, so Nigel hires Janika to set up a surveillance camera. Janika has to hope no one finds out what she’s doing, or she will become a laughing stock. However, it turns out that the job is far from laughable, and there’s serious danger involved.
Piers Pillinger wants to make use of Janika’s photographic skills again, and assures her this is a perfectly straightforward job at his own home. Nothing can possibly go wrong ‒ and Janika believes him!
Toby Walton? Well….
Janika is also investigating aliens who are apparently landing at night in the field behind Nigel Frampton’s house. Unsurprisingly, the police show no interest at all, so Nigel hires Janika to set up a surveillance camera. Janika has to hope no one finds out what she’s doing, or she will become a laughing stock. However, it turns out that the job is far from laughable, and there’s serious danger involved.
Piers Pillinger wants to make use of Janika’s photographic skills again, and assures her this is a perfectly straightforward job at his own home. Nothing can possibly go wrong ‒ and Janika believes him!
Toby Walton? Well….
