A Knock at the Door: Who Is She? Who Was She?

A brain-teasing mystery that grabs you right from the start – and then deliversA bedraggled woman turns up on Rory Cavenham’s doorstep in the middle of a storm, convinced that the year is 1972, but claiming to have lost her memory.Despite his own troubled past, Rory is drawn to her; but she’s fearful of authority and frightened of mysterious pursuers, and insists on keeping a low profile as she adjusts to modern life.Determined to help her, Rory finds links to two strong but compromised women, but the truth behind their interlocking stories remains elusive. Meanwhile, the pursuers turn out to be all too real, and the pace builds as the story lunges towards its remarkable and redemptive climax.Fast-moving and engrossing, A Knock at the Door defies easy categorisation. It is part mystery thriller, part detective story, and part romance. It even hovers on the edge of science fiction, though it always keeps both feet firmly on the ground.One beta reader reports “snatching at the pages” to find an explanation for the brain-teasing paradox at the heart of the novel: who is the woman, and how can she be the person she appears to be?Readers who have enjoyed Peter Rowlands’ popular Mike Stanhope mysteries will be fascinated by this complex and intriguing tale. Like them, it is distinguished by vibrant characters and sparkling dialogue, but it also introduces some beguiling new ingredients that add extra edge to the mix.What readers are saying about A Knock at the Door“This book was amazing! I read three hours straight. I couldn’t get myself to stop. …”“I have never read a book like this before. I had a hard time putting it down. …”“It had my head spinning but I kept turning the pages. …”“Peter Rowlands … has a refreshing way of keeping laser focused on his story. …”“It has everything you want in a story. Cold rainy night, damsel in distress, nice guy hero! …”“An intriguing mystery, written in Peter Rowlands’ inimitable style. It keeps the reader guessing through all the twists and turns of the plot. …”