One night, Peter Lake-orphan, master-mechanic, and master second-story man-attempts to rob a fortress-like mansion on the Upper West Side. Though he thinks the house is empty, the daughter of the house is home. Thus begins the affair between the middle-aged Irish burglar and Beverly Penn, a young girl who is dying. Because of a love that at first he cannot fully understand, Peter, a simple and uneducated man, will be driven "to stop time and bring back the dead." His great struggle, in a city ever alight with its own energy and beset by winter, is a truly beautiful and extraordinary story.
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
In American Psycho, Bret Easton Ellis imaginatively explores the incomprehensible depths of madness and captures the insanity of violence in our time or any other. Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.
The Opposite of Everyone
A fiercely independent divorce lawyer learns the power of family and connection when she receives a cryptic message from her estranged mother in this bittersweet, witty novel from the nationally bestselling author of Someone Else’s Love Story and gods in Alabama—an emotionally resonant tale about the endurance of love and the power of stories to shape and transform our lives.
Melinda Foster is already at a turning point when the "for rent" sign beckons her down a dusty gravel road. Facing forty and downsized from her copywriting job at a Twin Cities ad agency, Melinda is struggling to find her way forward when a phone call brings her home to rural Iowa. It's not long before Melinda is living in a faded farmhouse, caring for a barn full of animals, and working at her family's hardware store in the community of Prosper, whose motto is "The Great Little Town That Didn't." And just like the vast garden she tends under the summer sun, Melinda soon begins to thrive.